In every section, he offers you basic guidelines that help you channel your creative energies in the right direction. Bert Dodson, author of the best-selling Keys to Drawing (more than 250,000 copies sold!) presents fun techniques and mind-stretching strategies to get you drawing better and more imaginatively than you ever have before. This ten-year edition of Keys to Drawing With Imagination is a course for artists in how to take something, do something to it and make something new. When you are 'in the flow,' you shift out of the future and into the present, making connections, generating variations and surrendering to the process. To be creative, you need to engage in the art-making process. It is not a trait it is something you do. Keys to Drawing with Imagination by Bert Dodson Book PDFĭraw with Confidence and Creativity! New in paperback! Creativity occurs in action. The inside features illustrations by Wesley Bates. The text was typeset by Andrew Steeves in Caslon types and printed on Rolland Zephyr Laid paper. And what becomes of the reader who reads all of this? This book is a Smyth-sewn paperback with a jacket and full sleeve. Wharton indulges his reader with tales of fantastical cities where the only occupation is reading and of the plight of a protagonist suddenly dislodged from his own novel.

The result is a mind-bending caper through the process of reading, the relationships we establish with fictitious worlds and the possibility of worlds yet unread. How are we to read the pieces that follow? As extraneous to the nameless book, as parts of it in its original form or perhaps as evidence that it has relocated to other existing volumes? The Logogryph takes its cues from magic realism and the techniques of cinematography. Roving across the globe and from parable to mystery, Wharton positions his reader between the covers of a book that is not. Another tells of a duel between two margin scribblers. One tale traces the origins of a fictional card game. What follows is a sequence of variations on the experience of reading and on the book a physical and imaginative object. Or if there ever was an original.' So begins Thomas Wharton's book about books.

The nameless book has been bound, taken apart, and reassembled with the pieces of other dismembered volumes, until one could ask whether there is anything left of the original. They have been removed, replaced, altered, lost. Over the centuries its leaves have known nothing but change. 'The particular volume I’m looking for is nameless, lacking a cover, title page, or any other outward markings of identity. Thomas Wharton's the Logogryph by Thomas Wharton Book PDF

Imaginative Realism by James Gurney